Geismar uses Jugendstil minimalism with its very simple strong lines to draw characters by means of their bodily contours. The wise type is classically engrossed in books as he leans his covered head on his arm; the wicked type is dynamic, interactive and unbalanced (as in the Amsterdam and Chicago Haggadot). The outstretched fingers before the face suggest that he is taunting the wise type. The third and fourth children are differentiated by their open or closed posture (hands and feet).